INDEPENDENT PRODUCT DESIGN / NOVEMBER 2022–FEBRUARY 2023
An independent product extension that carries the museum's non-linear emotional cycle into one continuous visitor service before, during and after a visit. 一个独立完成的产品延伸，把博物馆非线性的情绪循环转化为贯穿参观前、中、后的连续访客服务。
The product premise产品前提
Emotion Muse turns the building's open loop into visible choices: visitors can begin at either entrance, change direction, skip spaces and leave when ready.Emotion Muse 将建筑的开放循环转化为可见的选择：访客可从任一入口开始、改变方向、跳过空间，并在准备好时离开。
A mark for an open emotional cycle为开放的情绪循环设计的标志
An open infinity line resolves into a geometric E and m. Its unfinished contour keeps the loop available for another entrance, another direction and another reading.一个未闭合的无限符号转化为几何化的 E 与 m。开放的轮廓让循环始终保留另一个入口、另一个方向与另一种理解的可能。
The final mark uses constrained radii and tangent transitions instead of a hand-drawn gesture, giving the emotional subject a calm, precise product voice.最终标志使用受约束的圆弧半径与切线过渡，而不是手绘式的自由线条，让情绪主题拥有克制、准确的产品语气。
Applied in the working prototype已应用于可操作原型The mark appears in the prototype header, private archive and launch state.标志已应用于原型导航、私人档案与启动状态。The extension项目延伸
Infinitas uses a Möbius loop without a fixed beginning or end. Grief may move toward serenity, serenity may return to grief, and other emotions emerge between them. The app supports this freedom without prescribing a correct emotional destination.Infinitas 以没有固定起点与终点的莫比乌斯环组织空间。悲伤可以走向宁静，宁静也可能回到悲伤，更多情绪在转变中生成。App 支持这种自由，而不规定正确的情绪终点。
The digital layer stays quiet in the building. It explains choices, responds only when invited, and leaves emotional interpretation to the visitor.数字层在建筑中保持安静：解释必要的选择，只在访客主动使用时回应，并把情绪的解释权留给访客本人。
Open the 2022–2023 architectural project打开 2022–2023 年建筑项目 →Behavioral framing行为框架
These behavioral archetypes frame two visit modes. They are informed by early testing, not statistical personas.以下行为原型用于界定两种参观方式，并受到早期测试启发，但不是统计意义上的人物画像。
Arrives with personal intent, wants to understand the emotional sequence and prefers control over pace, depth and route.带着明确的个人动机到访，希望理解情绪序列，并自主掌控参观节奏、内容深度与路线。
Visits with a friend or partner, has limited prior knowledge and wants a meaningful experience without extensive preparation.与朋友或伴侣同行，对展览了解有限，希望不用复杂准备也能获得有意义的体验。
Prototype evaluation · February 2023原型评估 · 2023 年 2 月
Three architects and five general museum visitors completed booking, route selection, spatial guidance and audio playback through a mix of group and individual sessions.3 位建筑师与 5 位普通观众以小组和独立测试相结合的方式，完成预约购票、路线选择、空间导览与音频播放任务。
No major difficulty was recalled in booking, guidance or audio playback.预约、导览与音频播放任务中，未回忆到明显操作障碍。
Two participants paused at route selection and asked where they should begin.2 位参与者在选择路线时停顿，并询问应该从哪里开始。
A majority said they would be interested in experiencing the museum in person.多数参与者表示愿意亲自体验真实建成的情绪博物馆。
One route, five touchpoints一条路线，五个触点
One system, adaptive layout同一系统，自适应布局
The product preview above shows one interface at 1440px and 390px. Open the working prototype here to move through planning, booking, guidance and a private archive.页面前部展示了同一界面在 1440px 与 390px 下的布局。可在这里打开原型，体验规划、预约、导览与私人档案的完整流程。
Four rules四条原则
Emotional input is optional, private and never treated as diagnosis.情绪输入可以跳过、保持私密，并且永远不被当作诊断。
Navigation, interpretation and reflection appear only when invited, except for one low-pressure exit prompt.除离馆时的一次低打扰提醒外，导航、讲解与反思只在访客主动使用时出现。
Every direction remains visible. A recommendation may reduce decision pressure, but visitors can skip spaces or change direction.所有方向始终可见。推荐可以降低选择压力，但访客仍可跳过空间或改变方向。
The prototype stores memory locally. Private account sync and an evolving personal artwork remain future concepts.原型在本地保存记忆；私人账户同步与持续生长的个人艺术作品属于未来概念。
Architecture remains the interface建筑仍然是界面
Materials, light, sound and scale influence emotion, while a visitor's existing state changes how those conditions are perceived. The app does not flatten this reciprocal relationship into a fixed therapeutic arc.材料、光线、声音与尺度影响情绪，而访客进入空间时已有的状态，也会改变他们对这些条件的理解。App 不把这种双向关系压缩成固定的疗愈曲线。
A focused beginning, not a fixed ending明确的起点，而非固定的终点
Grief and Serenity form Season 01. The Möbius architecture and emotional cycle remain permanent, while exhibitions can rotate across art, sound, performance, technology, psychology and living systems.“悲伤与宁静”构成首个展览季。莫比乌斯建筑与情绪循环作为永久框架，展览则可围绕艺术、声音、表演、技术、心理与生命系统持续轮换。
The project began as an architectural study of grief and serenity. It revealed a broader opportunity: an institution dedicated to how emotion is shaped, expressed and remembered across space, art, technology and living systems.项目最初是对悲伤与宁静的建筑研究，最终显露出更大的机会：建立一个长期探索情绪如何在空间、艺术、技术与生命系统中被塑造、表达与记忆的文化机构。
Prototype scope原型范围
Intended experience outcomes预期体验成果
